The Pox Party

September 18, 2006
Anderson (Whales on Stilts
) once again shows the breadth of his talents with this stunningly well-researched novel (the first of two planned) centering on 16-year-old Octavian. The author does not reveal the boy's identity right away, so by the time readers learn that he is the son of an African princess, living a life of relative privilege and intense scrutiny among a group of rational philosophers in pre–Revolutionary War Boston, they can accept his achievements—extraordinary for any teen, but especially for an African-American living at that time. These men teach him the violin, Latin and Greek. Anderson also reveals their strange quirks: the men go by numbers rather than names, and they weigh the food Octavian ingests, as well as his excrement. "It is ever the lot of children to accept their circumstances as universal, and their particularities as general," Octavian states by way of explanation. One day, at age eight, when he ventures into an off-limits room, Octavian learns he is the subject of his teachers' "zoological" study of Africans. Shortly thereafter, the philosophers' key benefactor drops out and new sponsors, led by Mr. Sharpe, follow a different agenda: they want to use Octavian to prove the inferiority of the African race. Mr. Sharpe also instigates the "Pox Party" of the title, during which the guests are inoculated with the smallpox virus, with disastrous results. Here the story, which had been told largely through Octavian's first-person narrative, advances through the letters of a Patriot volunteer, sending news to his sister of battle preparations against the British and about the talented African musician who's joined their company. As in Feed
, Anderson pays careful attention to language, but teens may not find this work, written in 18th-century prose, quite as accessible. The construction of Octavian's story is also complex, but the message is straightforward, as Anderson clearly delineates the hypocrisy of the Patriots, who chafe at their own subjugation by British overlords but overlook the enslavement of people like Octavian. Ages 14-up.

June 1, 2007
Gr 7 Up -Many readers think that classics have little relevance to our modern lives. But with the right author and the right turn on a classic tale, these stories can remain as relevant today as they were when they were first written. Julius Lester'sCupid (Harcourt, 2007) is a retelling of the ancient myth of the love story of Cupid and Psyche (originally written by Lucius Apuleius). Cupid, the Greek God of Love, and Psyche, a mortal princess, have a tempestuous love affair (and conflicts with Venus, Cupid's mother). Throughout their affair, Cupid and Psyche learn about themselves and the meaning of true love. With Jupiter's help, Psyche attains immortality. Lester's fresh and sassy prose brings new life and luster to the story, and actor Stephen McKinley Henderson's expert, enthralling narration always holds listeners' attention.On the other hand, M. T. Anderson'sThe Astonishing Life of Octavian Nothing (Candlewick, 2006), winner of the 2006 National Book Award, falls flat because its uniqueness renders it unintelligible. In this imitation of Voltaire'sCandide, written in 18th -century language, young Octavian Nothing, an African child, is raised by tutors with numbers instead of names and subjected to experiments performed on him by Boston philosophers who seek to determine the intellectual ability of Africans. While the idea and the scope of Anderson's novel are fresh, the plot and the prose are so confusing that it becomes difficult to follow the story. The narration by actor Peter Francis James is first-rate, but only advanced high school students and aficionados of the Enlightenment will be able to wade through the novel. On the other hand, Lester's lively retelling of the Cupid classic enhances the original tale and makes it accessible to students.Larry Cooperman, Seminole High School, Sanford, FL

Copyright 2007 School Library Journal, LLC Used with permission.

April 9, 2007
James's crisp annunciation and measured intonation is well-suited to the 18th-century language and phrasing Anderson employs in his fascinating, provocative Revolutionary War–era novel, winner of the 2006 National Book Award for Young People's Literature and also a 2007 Printz Honor Book. As young Octavian's story slowly (sometimes too slowly) unfolds, the boy learns that he is a slave and that the scientists and philosophers with whom he and his mother (an African princess who was kidnapped by slave traders) live are studying them as part of an experiment to determine whether Africans are "a separate and distinct species." The ill-advised Pox Party of the title, during which the philosophers inoculate their guests against the scourge of smallpox, marks a dramatic turning point that sends Octavian's life journey in a new direction. There's no question the premise is intriguing and the examination of issues noble. However, the meaty subject matter and Anderson's numerous stylistic devices (e.g. the use of different points of view and letters in dialect from another character) render this a challenging listen even for a sophisticated audience. Ages 14-up.

Starred review from August 25, 2008
With an eye trained to the hypocrisies and conflicted loyalties of the American Revolution, Anderson resoundingly concludes the finely nuanced bildungsroman begun in his National Book Award–winning novel. Again comprised of Octavian’s journals and a scattering of other documents, the book finds Octavian heading to Virginia in response to a proclamation made by Lord Dunmore, the colony’s governor, who emancipates slaves in exchange for military service. Octavian’s initial pride is short-lived, as he realizes that their liberation owes less to moral conviction than to political expediency. Disillusioned, facing other crises of conscience, Octavian’s growth is apparent, if not always to himself: when he expresses doubt about having become any more a man, his mentor, Dr. Trefusis, assures him, “That is the great secret of men. We aim for manhood always and always fall short. But my boy, I have seen you at least reach half way.” Made aware of freedom-fighters on both sides of the conflict (as well as heart-stopping acts of atrocity), readers who work through and embrace Anderson’s use of historical parlance will be rewarded with a challenging perspective onAmerican history. Ages 14–up.

September 11, 2006
Anderson (Whales on Stilts ) once again shows the breadth of his talents with this stunningly well-researched novel (the first of two planned) centering on 16-year-old Octavian. The author does not reveal the boy's identity right away, so by the time readers learn that he is the son of an African princess, living a life of relative privilege and intense scrutiny among a group of rational philosophers in pre\x96Revolutionary War Boston, they can accept his achievements\x97extraordinary for any teen, but especially for an African-American living at that time. These men teach him the violin, Latin and Greek. Anderson also reveals their strange quirks: the men go by numbers rather than names, and they weigh the food Octavian ingests, as well as his excrement. "It is ever the lot of children to accept their circumstances as universal, and their particularities as general," Octavian states by way of explanation. One day, at age eight, when he ventures into an off-limits room, Octavian learns he is the subject of his teachers' "zoological" study of Africans. Shortly thereafter, the philosophers' key benefactor drops out and new sponsors, led by Mr. Sharpe, follow a different agenda: they want to use Octavian to prove the inferiority of the African race. Mr. Sharpe also instigates the "Pox Party" of the title, during which the guests are inoculated with the smallpox virus, with disastrous results. Here the story, which had been told largely through Octavian's first-person narrative, advances through the letters of a Patriot volunteer, sending news to his sister of battle preparations against the British and about the talented African musician who's joined their company. As inFeed , Anderson pays careful attention to language, but teens may not find this work, written in 18th-century prose, quite as accessible. The construction of Octavian's story is also complex, but the message is straightforward, as Anderson clearly delineates the hypocrisy of the Patriots, who chafe at their own subjugation by British overlords but overlook the enslavement of people like Octavian. Ages 14-up.